In 1995, the indie rock trio lurched headlong into its own sound with Electr-O-Pura. This was a private world for two. It’s indie rock at its most epically beautiful. Truly, it’s the best showcase of the individual strengths of each member, both unhinged and somehow equally restrained in the music they’re making, a magic trick played by one of the strongest power trios in all of indie rock. On behalf of Beggars Group, Feature.fm sets cookies that can identify you as a visitor. In the video looking back at “Tom Courtenay,” Kaplan, who is wearing a black band T-shirt, jokes about how he still dresses the same all these years later. Now in a gatefold sleeve and cut from the original 58-minute master, the new reissue is pressed for the first time on two LPs t “Out of the darkness you will come around,” she assures, “and I’ll find you there.” The song is proof. The song and the video are each funny and heartfelt, referential and personal, grandiose and unassuming. Sign up for the 10 to Hear newsletter here. Genres: Indie Rock, Noise Pop. Rated #103 in the best albums of 1995, and #3319 of all-time album.. On Electr-o-pura, Yo La Tengo were poised in between finding themselves and going their own way, and the end result is still exhilarating. The second verse shifts dramatically toward the personal, as Kaplan describes a drunken first meeting that grows into something more, then recognizes the impossibility of ever fully understanding another human being, even those we know best. OLE-132 / 92550-2; CD). On “My Heart’s Reflection,” simmering with barely suppressed tension, Kaplan repurposes the central conceit of “I’ll Be Your Mirror” as he suggests, with disarming vulnerability, that he and a lover dress up as each other, locking the room and throwing away the key. The opening “Decora,” where Hubley begins with a nonchalant murmur of, “I see you crawling across the floor,” picks up from the flickering dream-pop of Painful; the way that Hubley bends syllables and moans the title phrase on the chorus recalls My Bloody Valentine’s wavy “glide guitar” technique. The song on Electr-o-pura with the most quintessentially Yo La Tengo-esque story is the serene ballad “The Hour Grows Late.” A whispery Kaplan paints a scene not too distant from some that Yo La Tengo must’ve experienced in their earlier years. Yo La Tengo wouldn’t crack the Billboard 200 album charts until the 2000s. Released 2 May 1995 on Matador (catalog no. They could make not only the brooding songs like “Flying Lessons (Hot Chicken #1),” where the bass patience of McNew dances with the hushed voice of Kaplan, but could do so alongside songs like the guitar-heavy jam “Decora” (lead by drummer/singer/wife Georgia Hubley), the noisy, weird “False Alarm,” or the timeless “Tom Courtenay,” which may be the closest the band have come to writing the perfect rock song. The name-dropping of British Invasion-era movie stars also fits into the concept of this band of dedicated fans (Kaplan, as is often noted, was formerly a music critic for New York Rocker and Village Voice) cosplaying their way into the big show. They’d learned from the best, and they knew that even though they might only be a triumvirate of hapless Richie Vans, they belonged on the same stages. But there’s self-aware humor, too. And that’s why Electr-o-pura shouldn’t be discounted or ignored as the awkward middle child: it was the training ground that gave Yo La Tengo the ability to make I Can Hear the Heart in the first place. With 1995’s Electr-o-pura, Yo La Tengo hit their creative stride and remains one of the best albums the band has released in their long and productive career. Most importantly, though, Kaplan himself didn’t actually know much about these old movies—Hubley, the daughter of two professional animators, was the film obsessive. Emboldened by all this familiarity, the band tore into their emerging signature style—woozy folk-pop ballads, feedback-streaked guitar jams, organ swells, plenty of ba-ba-bas—with shrugging audacity. And, gradually, his guitar, peeking out at empty seats, clock ticking classics can a. Several different bands all at once and June Cash Carter at the side of stage... Time across two vinyl records has said it’s no spoiler to say that the gig doesn’t quite out... 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